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Projection at Night

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I decided to try out a technique that I have used in a previous project that was based around the subject of distortion. It turned out well the first time around so I decided to look through those images and re-create them In a style that would match my most recent project – dark/at night photography.

All of the images above have been taken in the studio and I used a range of different lights to create the shadows that I wanted. By doing this and strategically placing them around the room, I have managed to create a spooky and even haunted look to the images, especially the image of the skull on half of the models face. Even though a lot of the images are just of the face, I think the emotions that the facial features say a lot more than a body movement ever could. I think the fact that you can look into their eyes and feel what they feel, it draws you in and you get to enjoy the image on a new level. The majority of my mages are asymmetrical and I decided on this composition because I think it suits the style better than any other could or ever will. Overall I am happy with the outcome and consider using these images for my final presentation.

My project continues with the night and darkness theme that it started off with. All of the images have been shot in the same conditions and with the same equiptment. The props that were used include: a white screen/backdrop and a projection machine – these two things help me create the effect that I desired.

The image that is shown above has been created by having a skull projected onto the face of the subject. The dark colours and meek atmosphere create a sinister photograph and give an insight into the dark and devious themes behind the image. A few of Lee Kirby’s images (a well known projection photographer) are also shown in a darker atmosphere, he doesn’t show the facial features of the subjects very often and this technique just adds to the mysterious darkness surrounding the images. Just like Lee Kirby’s work I decided to distort the face, it is barely recognisable with the projection that is shining on the subjects face.  When deciding on lighting in the studio I first played around with some of the softer lights, but in the end choose to turn all lights off, apart from the projection machine to add to the tense atmosphere that I wanted to create. The angle that I have taken the image on was a side shot of the face; this was to highlight the skull on the left rather than the normalcy of the right. I tried to shoot a range of different angles, like face on, but I found the effect was not as startling as the positioning that I have chosen. The composition of the image is deliberate; I had the subject look forward as if looking into nothingness and hoping for something. I didn’t want to create a personal connection between the subject and the person viewing the image. I wanted to distance between them to add the mystery and misery that the image creates. To achieve the darkened effect I used Photoshop. There was only one adjustment that I made to the image and that was to use the black and white filters. By using only one adjustment, I have been able to keep the image basic yet very complex.

The second image that I choose to use on my website was a stark contrast to the first. The colours I used are bold and they stand out to grab everyone’s attention. Again all of the lights in the room were turned of, apart from the projection machine, to create the darkened night effect that runs with my project idea that I thought was needed for these images. The coloured image is unlike anything I have done so far. While being focused on lanscapes and inanimate light orbs this full time I have finally started to branch out onto other shapes of the human body - the face especially. The colour theme clashes greatly with the spectacle your mind associates the image with. For this image I decided to shoot the image face on as I wanted to show off the full facial expression of my subject and model. Again like Lee Kirby my image distorts the body and the face with patterns of light. The energy that are present in the images aren’t as great as the photographer I aspired to, because mine are rather still and motionless while his are mid leap or spin when the shot is taken. However I think that the effect crated is just as great, as the cryptic messages that are apparent are intriguing. The facial features of the subject are certainly something to look at s they offer you a sad and depressed look and make us wonder why? This type of guessing is what i like as the image engages with the audience totally. 

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